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LITTLE VILLAGE by Ted Remington
© Poems Art
Image Details
- Title:
- LITTLE VILLAGE
- Brand:
- Category:
- Description:
- Price:
- Photo:
- Url:
- Artist:
- Ted Remington
- Product code:
- TR103E
- Media:
- Edition type:
- Open edition
- Copyright:
- © Poems Art
The Artist: Ted Remington
Utah artist Ted Remington is motivated by what he describes as an Inner Journey through great external formations, colors and expanses of the Southwest. His style can be described as distilled realism, interpreting wonder and awareness for the Desert Southwest––an area he has enjoyed for over 25 years, calling it “The Greatest Sand on Earth.” With soft pastels as his primary medium, his texture and fusion of colors belie the medium. Ted cultivated a technique using black pastel board on which he presses a flat surface of the pastel to achieve an unblended, three-dimensional effect, resulting in textures and hues similar to oil paints. Remington believes technique is imperative, but more important is a passionate artistic voice. The artist has received special honors and awards for his imagery and is represented by galleries in Utah, Nevada, Arizona and Wyoming. Ted also delights in being a relative of great Western sculptor and painter, Frederic Remington. “Visualization of enthralling locations is natural when one has played and romped, crawled and pored over, between and through a veritable ocean of crevices, mesas, and mounds...it has been a labyrinth journey through earth and consciousness.”
Look for more Ted Remington prints.
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POEMS
"Trend-setting, Imaginative, Mod, Colourful." As a unique fine art print resource, Poems continues to embrace contemporary art and artists. Poems are passionate about art and work closely with the artists they publish always looking for something unique either in colour, subject matter or treatment. The concept of "Poems" originated from a philosophy that art is poetry for the eye and stirs feeling, just as words entice the ear. Every piece of art is produced by an artist with a measure of passion.
